Incorporated in 1986, the Galveston Arts Center (GAC) is an independent nonprofit organization that showcases innovative contemporary art.

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Tues - Sat: 11am – 5pm
Sunday: 12 – 5pm
Closed Monday

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Galveston Arts Center Previous Exhibits

Opening April 22nd
on view through May 28th, 2017

1st Floor Main Gallery
Jules Buck Jones - Gardens and Graveyards

Austin-based Jules Buck Jones presents a multimedia installation fusing his paintings, drawings, and sculpture with backdrops, props, and costumes from his Animal Facts Club performances. Jones' work hints at the supernatural authority of nature through anthropomorphized landscapes and pairings of odd congregations of wildlife. The work delves into thoughts of evolution, transformation, and extinction. Animal Facts Club, puts on theatrical performances which highlight the wide range of species of Texas.

Jules Buck Jones earned his MFA in Painting at the University of Texas at Austin, Austin, TX, in 2008 and a BA from Virginia Commonwealth University, Richmond, VA, in 2005. Jones has had artist residencies at Skowhegan School of Painting and Sculpture (Skowhegan, ME), The Light House Works (Fisher Island, NY), Vermont Studio Center (Johnson, VT) and AIRIE in the Everglades National Park (Homestead, FL). His work has been exhibited throughout Texas and his native Virginia. He has received commissions from Gensler (Houston, TX), Dell Children’s Hospital (Austin, TX) and the City of Austin, TX. His work is in the permanent collection at The Contemporary Austin. He is represented by Conduit Gallery and David Shelton Gallery.

Animal Facts Club is a like-minded consortium of artists, scientists, musicians, and writers who come together to share awesome facts about animals with each other. They put on educational performances, create annual calendars, and make animations and videos about the amazing character traits of animals.

1878 Gallery
Calder Kamin – Plastic Planet

Plastic is everywhere. The man-made substance litters roads, fills oceans and has entered the tissue of all living things. Humans transformed nature to make our lives more convenient, only to leave a massive mess for the next generation. What are the steps to solve this crisis? Like the scavenger animals Calder Kamin sculpts, she collects a variety of colored plastic bags from her friends and family. She strips and twists the bags until they fold into a texture like fur or grass, and meticulously applies each piece. With the help of Kamin’s extended community, the Plastic Planet series diverted thousands of plastic bags from the environment.

The Neocortex Classroom provides visitors an opportunity to absorb the problems of our planet, such as pollution and extinction caused by humans, in a way that is appropriate for all ages. Through hands-on activities and events, Kamin is motivated to inspire her audience make better choices for the environment. Kamin's art sparks activism and an opportunity to participate in the greater good by transforming materials and her audiences.

Calder Kamin earned a Bachelor of Fine Arts from the Kansas City Art Institute. Kamin was the Utah Museum of Contemporary Art’s Art Truck Artist for the 2013-2014 school year and the first Artist-in-Residence at the Beach Museum of Art. She was one of 102 national artists to be selected for the Crystal Bridges Museum of American Art’s exhibition “State of the Art: Discovering American Art Now”. Kamin was a mentor for the Teen Artist + Mentor Program in 2015 and is a 2017 Crit Group fellow at Contemporary Austin. She has returned home to Austin, Texas. Her solo exhibition Plastic Planet at Women & Their Work was supported by a Mid-America Arts Alliance 2017 Artistic Innovations Grant. Her next project is to animate her Plastic Planet series for a PSA that will debut on KLRU with project funds from The Awesome Foundation. Kamin is featured in the series Arts In Context set to air on PBS in the fall of 2017.

Brown Foundation Gallery
James Talambas – 2,524 Earthquakes This Past Year

Fort Worth-based multidisciplinary artist James Talambas brings his spatial-work, 2,524 Earthquakes This Past Year — a sound installation referencing seismic activity in Oklahoma and North Texas between January 1 and September 12, 2016, attributed to the hydraulic fracturing, or fracking, activity in the region.

Composer and installation artist, James Talambas employs technology, improvisation, and space into the pieces he composes, creating site-specific, and musician-specific electro-acoustic works. Talambas also creates original scores and sound design for film, and as the creator and owner of New Media Recordings, he produces, publishes, and arranges for artists internationally.

These exhibitions are supported in part by an award from the National Endowment for the Arts and the Texas Commission on the Arts